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Green campaigners save lucrative ‘mpingo’ tree
It is estimated that fewer than three million African blackwood trees (above) remain , with most of the remaining stands in Tanzania and northern Mozambique
With the snow-capped peak of Mount Kilimanjaro providing a backdrop under simmering tropical sunshine, a group of women in Mijongweni village break into song.
The song, in Kiswahili, praises the benefits of protecting the environment and living in harmony with nature for the survival of generations; values vital to the survival of one of the rarest hardwood trees in the world, the African blackwood.
Known to locals as mpingo, the African blackwood (dalbergia melanoxylon) is a tree that has been exploited to extinction in southern Ethiopia and Kenya and is currently only found in Tanzania and northern Mozambique. Tanzania boasts large tracts of natural forest and woodlands.
While few people would recognise the tree, many across the world have heard its melodious tunes: the tree is a prized commodity for makers of musical instruments like flutes, clarinets and oboes, so much so that it is today the most expensive hardwood tree in the world, currently fetching up to 25,000 dollars per cubic metre.
Become extinct
Though the blackwood tree is not endangered, it is being harvested unsustainably. A 1994 move to list it as threatened under the Convention on International Trade in Endangered Species was withdrawn, but observers fear it could become extinct within a generation or two if nothing is done to save it.
“That is why I sprung to action to palliate the threat,” says Sebastian Chuwa, a Tanzanian botanist based in the northern Tanzanian town of Moshi and the founder and national patron of the Mali Hai Clubs of Tanzania. Mali hai, Kiswahili for “living resources”, is a community-based organisation that sensitises communities on environmental conservation through tree planting.
“The mpingo tree is threatened because it is a slow-growing tree that takes between 50 to 70 years to mature and is being depleted at alarming rates,” he adds.
Though Tanzania’s ministry of natural resources and tourism has slapped an export ban on mpingo, it continues to be harvested indiscriminately, especially in the southern parts of Tanzania that were, until recently, inaccessible. It is estimated that fewer than three million African blackwood trees remain, with most of the remaining stands in Tanzania and northern Mozambique.
“I started collecting its seeds and initiated an African blackwood tree planting programme here in Moshi,” notes Chuwa. James Harris, a Texan wood turner, and his wife Bette Stockbauer, who creates collectible wood art from many tree species, including the African blackwood, helped raise funds for the project in the US after watching a telecast on Chuwa’s work. The duo helped found the African Blackwood Conservation Project, enabling Chuwa to establish a major blackwood tree nursery.
“The mpingo,” says Chuwa, “is a hardy tree that survives on very little water. It has tiny leaves that help against loss of too much water. Once the root system has been established, the tree requires little or no rainfall at all to mature.
“It can be planted in farms because it does not compete for resources with maize, coffee or bananas and acts as a nitrogen-fixing agent in the soil.”
Apart from making some of the world’s best wind musical instruments, the African blackwood is also prized by wood sculptors. The Makonde sculptors of Tanzania make a handsome living from the sale of sculptures to tourists visiting the region.
“The ebony, yet oily look of the mpingo makes it attractive as it has a natural polish that sets it apart from the rest,” notes carver Aloyse Mrema. “Due to this, it fetches higher prices than wood carvings from other hard woods.”
From its humble beginnings in 1985, Mali Hai has become a movement to be reckoned with in the entire Kilimanjaro Province of northern Tanzania due to its elaborate environmental conservation sensitisation programme that has spanned the length and breadth of the entire regions and communities living in and around the Mt Kilimanjaro ecosystem.
The trees that Chuwa helps plant are alive and can be used by the communities to improve their economic well being.
According to Rodney Lema, the patron of Mali Hai in Singachini village, the tree planting exercises have been so successful as they involve school children, many of whom have gone on to become environmental ambassadors in their respective villages.
Adds Fadhili Moshi, a Mali Hai patron in Mweka Village: “Through the youth movement in the schools, we have been able to sensitise local villagers during school meetings and mobilised them into planting trees in their farms, along footpaths and on the Mweka Climbing Route at the base of the Mt Kilimanjaro.”
The massive tree planting exercise in the Mt Kilimanjaro region was also a rallying call for Chuwa and residents to mitigate the negative effects of logging in the region.
Says Chuwa: “When I was growing up, the forest cover in the region was so dense that one could not see the peak of the Kilimanjaro. However, due to logging in the Kilimanjaro Forest and charcoal burning, the forest cover was almost gone in less than 15 years and it was possible to get a good clear look at the Kilimanjaro peak from outside my home.”
The venture, notes Chuwa, “brings about a sense of collective ownership and responsibility that is beneficial to the communities so that they can help protect the natural resources from outside interference or destruction since they derive direct benefits from the same.”
In recognition of his efforts to conserve the African blackwood and the entire Mt. Kilimanjaro ecosystem, Chuwa has received numerous awards, including the Associate Laureate Award from the Rolex Award for Enterprise Committee and the J Sterling Morton Award from the National Arbor Day Foundation in the United States. -IPS
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